究極のMoogシンセサイザー！
8voice 16voiceモデルをラインナップ。 Moog One は究極のMoog シンセサイザー：3 ティンバー、ポリフォニックなど、イマジネーションを揺さぶり、創造性を刺激し、サウンドの新たな地平を切り開くべく開発されたアナログ・ドリーム・シンセ。Moog 初のポリフォニック・アナログ・シンセサイザー登場から30 年以上の時を経て、Moog のポリフォニック・インストルメントへの期待を超えるため長年に渡り行われたリサーチの集大成、それがMoog One です。
TRIANGLE CORE OSCILLATORS
各Moog Oneボイスは、3つの新しく開発されたトライアングルコアアナログVCOを採用しています。各オシレータの出力は、選択可能な三角波/ノコギリ波と可変幅のパルス波を組み合わせたものです。トライ/ソー波形とパルス波形を混ぜ合わせると、高調波の自由度が新たに広がり、アナログシンセサイザーには見られない複雑な波形が生まれます。Moog Oneのオシレーターセクションには、ハードシンク、アナログリングモジュレーション、そして無限のアナログサウンド生成のためのFMが装備されています。
【主な仕様】
●ポリフォニック、3 ティンバー・アナログ・シンセサイザー
●各ボイスのオシレーターに新開発の三角波コア・アナログVCO を採用
●各ボイスにはデュアル・ソース・アナログ・ノイズ・ジェネレーターを搭載
●2 種類のフィルター：ラダー・フィルターとステート・バリアブル・フィルター
●各セクション（モジュール）の「More」ボタンでより詳細な音作りが可能
●ティンバーごとにシーケンサーやアルペジエイター、内蔵エフェクトを使用可能
●キーボード上に3 ティンバーを簡単に配置できるレイヤー/スプリット機能
●Eventide(R)製リバーブ搭載
●アナログ、デジタル幅広い接続性
●8 ボイス/16 ボイス・モデルをラインナップ
【SPECIFICATIONS】
SYNTHESIZER TYPE:
Polyphonic, Tri-timbral Analog Synthesizer
SOUND ENGINE:
Analog (Digital Effects can be bypassed to maintain 100% analog signal path)
POLYPHONY:
8 or 16 voices
KEYBED:
61 full-size keys with Velocity and Aftertouch (Fatar TP-8S)
CONTROLLERS:
Pitch Wheel, Modulation Wheel, X/Y Pad (with pressure-sensing and hold), Sustain
PANEL CONTROLS:
73 knobs and 144 buttons; LCD screen
OSCILLATORS (x3):
Selectable Sawtooth wave with variable reset time or Triangle wave with variable rise and fall times, variable-width Pulse wave, Octave (32’, 16’, 8’, 4’, 2’), Frequency (+/- 7 semitones),Beat Frequency (+/- 7Hz), Wave Angle (Triangle and Saw), Pulse Width, Mix (blends the selectedTriangle or Saw wave with the Pulse wave), FM routing and amount, and Hard Sync
RING MODULATOR:
Selectable routing (1-2 or 2-3)
DUAL SOURCE NOISE GENERATOR:
Selectable sources (Red + White, Red + Purple, and White + Purple) with Color Mix and dedicated ARS envelope
MIXER:
Independent levels and filter routing for OSC 1, OSC 2, OSC 3, RING MOD, NOISE, and EXT IN
FILTERS:
State-Variable Filter; Ladder Filter (Mixable, Parallel or Series operation)
STATE VARIABLE:
Two -12dB per octave filters operating as one filter, configurable as NOTCH, BP, LP,and HP – with -12dB or -24dB slopes; Cutoff, Resonance, etc
LADDER FILTER:
Moog Ladder Filter with HP or LP options, and selectable filter slopes (-6db, -12db,-18dB, or -24dB); Cutoff, Resonance, etc.
ENVELOPES (x3):
Delay, Attack, Hold, Decay, Sustain, and Release; variable curves per stage, plus multi-triggering, looping, latching, and sync
LFOS (x4):
Dual-waveform categories with variable shapes (Triangle to Sine, variable-width Pulse,Saw to Ramp, S&H to Noise), assignable and variable transitions; fade-in/fade-out times, repeat count, phase start, etc.
GLIDE:
Selectable glide type (LCR, LCT, EXP), gated glide, legato glide, glissando
ARPEGGIATOR:
Per-Synth with octave range, pattern, direction, pendulum features, gate time, sync, etc.
SEQUENCER:
64-step per-Synth sequencer with step-editing and modulation capabilities
SYNTH EFFECTS:
Dedicated in-line effect per SYNTH 1, SYNTH 2, and SYNTH 3 (When disengaged, the signal path is 100% analog)
MASTER EFFECTS:
Dual monaural sends with stereo return, or single stereo send with stereo return.(Accessible by all three Synths - Eventide(R) Reverbs are available on the Master Buss only)
BROWSER:
Stores tens of thousands of PRESETS and TIMBRES with definable Categories, Tags and Labels to aid search results. TIMBRES can be loaded to and played by any Synth
PERFORMANCE SETS:
Create, save, and manage up to 128 Performance Sets offering single-button access to up to 64 PRESETS
SETTINGS:
Access to pages for managing Libraries, Tuning features, plus Utilities such as updates, configuring ins and outs, etc.
MOD MATRIX:
Provides the ability to map modulation sources to destinations at will, using either controllers or addressable transforms to articulate the modulation signal
VOICE ALLOCATION:
Mono or Poly voice count per Synth, unison/mono detune (48 oscillator max.),Chord Memory, plus voice stealing/sharing options
SNAPSHOT, COMPARE:
Built-in tools for saving and comparing during programming
VCA SECTION:
VCA level per Synth, Pan per Synth
OUTPUT SECTION:
Master Volume and Headphones volume controls
AUDIO OUTPUTS:
Main L, Main R (1/4” TRS balanced; TS unbalanced compatible)
SUB OUTPUTS:
Sub 1, Sub 2 (1/4” TRS balanced; TS unbalanced compatible)
AUDIO INSERTS:
Insert 1, Insert 2, Insert 3, Insert 4 (1/4” TRS Send / Returns- Can be used as TS monaural outs)
EXTERNAL MIC/LINE INPUT:
XLR + 1/4” TRS combo jack with trim knob
EXTERNAL LINE INPUT:
1/4” TRS (TS compatible)
HEADPHONES:
2x Stereo 1/4” jacks (located on the front edge of the Left Hand Controller)
CONTROL VOLTAGE INPUTS:
CV IN 1, CV IN 2 (1/4” TS)
CONTROL VOLTAGE OUTPUTS:
CV OUT 1, CV OUT 2, CV OUT 3, CV OUT 4 (1/4” TS)
PEDAL INPUTS:
Sustain, EXP 1, EXP 2, (1/4” TRS; configurable through the Modulation Matrix, or as 1/4” TS CV Inputs)
MIDI:
Five-pin DIN ports for MIDI IN, OUT, and THRU; MIDI over USB
USB:
HOST port (allows system and data backup)
USB:
CLIENT port (connects to other USB gear, computers, etc.; accommodates class-compliant peripherals)
LAN:
Network port (CAT-5 Ethernet) for future expansion and remote service
WEIGHT:
45 lbs. / 20.4 kg (approximate)
DIMENSIONS (W x D x H):
42 x 20 x 7 (inches); 107 x 51 x 18 (cm)

UD20190621