商品名
Blur Parklife CD 1994 Indie Rock Britpop Synth Pop Dance Rock Damon Albarn EX
(Blur Parklife CD 1994 Indie Rock Britpop Synth Pop Dance Rock Damon Albarn EX
)
出品者コメント
Disc, Jewel Case and Inlay are NM.
※ アメリカの現地出品者により作成されたため、英語のまま掲載いたしております。


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商品説明
※アメリカの現地出品者により作成されたため、英語のまま掲載いたしております。
If you are interested in purchasing multiple items, please let me know. I can combine ship items so that there is only one USPS media mail charge. There should be a way to select combine shipping in your cart at checkout or to submit an invoice request. In the event that eBay forces checkout and does not allow an invoice request, I will issue a combined shipping refund immediately after your purchase. Thank You! Blur Parklife Review by Stephen Thomas Erlewine: "Modern Life Is Rubbish established Blur as the heir to the archly British pop of the Kinks, the Small Faces, and the Jam, but its follow-up, Parklife, revealed the depth of that transformation. Relying more heavily on Ray Davies' seriocomic social commentary, as well as new wave, Parklife runs through the entire history of post-British Invasion Britpop in the course of 16 songs, touching on psychedelia, synth pop, disco, punk, and music hall along the way. Damon Albarn intended these songs to form a sketch of British life in the mid-'90s, and it's startling how close he came to his goal; not only did the bouncy, disco-fied "Girls Boys" and singalong chant "Parklife" become anthems in the U.K., but they inaugurated a new era of Brit-pop and lad culture, where British youth celebrated their country and traditions. The legions of jangly, melodic bands that followed in the wake of Parklife revealed how much more complex Blur's vision was. Not only was their music precisely detailed -- sound effects and brilliant guitar lines pop up all over the record -- but the melodies elegantly interweaved with the chords, as in the graceful, heartbreaking "Badhead." Surprisingly, Albarn, for all of his cold, dispassionate wit, demonstrates compassion that gives these songs three dimensions, as on the pathos-laden "End of a Century," the melancholy Walker Brothers tribute "To the End," and the swirling, epic closer, "This Is a Low." For all of its celebration of tradition, Parklife is a thoroughly modern record in that it bends genres and is self-referential (the mod anthem of the title track is voiced by none other than Phil Daniels, the star of Quadrophenia). And, by tying the past and the present together, Blur articulated the mid-'90s Zeitgeist and produced an epoch-defining record." Blur Parklife Label:SBK Records 7243 8 29194 2 1, SBK Records K2-29194, Food 7243 8 29194 2 1, Food K2-29194Format:CD, AlbumCountry:USReleased: Jun 18, 1994Genre:RockStyle:Indie Rock, Britpop 1Girls Boys4:502Tracy Jacks4:203End Of A Century2:454Parklife3:055Bank Holiday1:426Badhead3:257The Debt Collector2:108Far Out1:419To The End4:0410London Loves4:1511Trouble In The Message Centre4:0912Clover Over Dover3:2213Magic America3:3814Jubilee2:4715This Is A Low5:0716Lot 1051:18
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